Browse > School > School of Fashion & Textiles

Number of items at this level: 237.

file
Minchell, Benjamin R K (2024) Dressing the invisible gay man. In: EUPOP 2024: Borders, 1-3 July 2024, Estonian Academy of Music and Theatre, Tallinn, Estonia. (Unpublished)

file
Janes, Dominic and Brocket, Jane (2024) The art of Hugh Easton and the stained-glass closet in post-war Britain. Journal of Religious History. ISSN 0022-4227 (In Press) Item availability restricted.

Shahaj, Emily Rosa and Goncu-Berk, Gozde (2024) Wearable tech, virtual fashion, and immersive technologies. In: Accelerating sustainability in fashion, clothing and textiles. Routledge, London.

file

file
Minchell, Ben (2023) Red-carpet masculinities: Timothée Chalamet. In: EUPOP2023 The Darkness Within, 3-5 July 2023, Stirling University, Scotland. (Unpublished) Item availability restricted.

file
Waterman, Sally (2023) Staging Sermon: performing autobiographical memory through “The Waste Land”. In: Handbook of research on the relationship between autobiographical memory and photography. IGI Global, Hershey, Pennsylvania, USA, pp. 59-81. ISBN 1668453371 Item availability restricted.

file
Janes, Dominic (2022) Queer transplanting from the Himalayas to Yorkshire: Reginald Farrer's loves for men and alpine plants (1880-1920). In: Locating queer histories: places and traces across the UK. Bloomsbury. ISBN 9781350143722

Reimers, Anne (2022) The 'new woman' in white: tennis dress in fashion magazines and painting in 1920s Germany. In: Fashioning the Body for Sport and Leisure: A History of Sport and Textiles. International Conference of Dress Historians, 30 September - 1 October 2022, Art Workers Guild, London, UK.

Reimers, Anne (2022) The new and the outmoded: on the temporal and sacrificial nature of fashion. In: Can Fashion Be Defended? A Symposium in Memory of Djurdja Bartlett, 11 July 2022, London College of Fashion.

Reimers, Anne (2022) "I am in favour of a black-and-white print that does not correspond to the original" (Otto Dix): Weimar Germany's print media culture and oil painting in reproduction. In: Avant-Garde Art on Paper in Europe, 1905-1950, 23 -25 March 2022, Royal Museums of Fine Arts of Belgium, Brussels. (Unpublished)

Reimers, Anne (2022) Otto Dix and Weimar media culture: time, fashion and photography in portrait paintings of the Neue Sachlichkeit. German Visual Culture, 11 . Peter Lang Academic Publishers, Oxford, Bern, Berlin, Bruxelles, New York, Wien. ISBN 9781800791237

file

filefile

file

file
Jardim, Marilia (2021) 300 years of bodies and corsets in their rhythmic manifestations: for a fashion semiotics. dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda, 1 (31). pp. 41-63. ISSN 1982-0313

file
Jardim, Marilia (2021) On niqabs and surgical masks: a trajectory of covered faces. Lexia – Rivista di Semiotica, 1 (37/38). pp. 165-177.

file
Janes, Dominic (2021) Queer juxtapositions in the art of Francis Bacon and Lilliput Magazine. Visual Culture in Britain. ISSN 1471-4787 (Print); 1941-8361 (Online)

file
Sampson, Ellen (2020) Worn: footwear, attachment and affects of wear. Bloomsbury Academic, London. ISBN 9781350087187

file

file

Reimers, Anne (2020) Sotheby's. In: The Art Market Dictionary. De Gruyter, Berlin. (Submitted)

filefile

filefile

filefilefilefilefilefilefile

file

file
Ayling-Smith, Beverly (2019) Connecting with the viewer: affectivity and cathexis in textile artwork. Textile: cloth and culture, 17 (3). pp. 296-311. ISSN 1475-9756 (Print); 1751-8350 (Online)

file
Jardim, Marilia (2019) The corset and the veil as disruptive manifestations of clothing: the tightlacer and the Tuareg. dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda, 12 (25). pp. 53-74. ISSN 1982-0313

file
Jardim, Marilia (2019) Beyond the freedom vs oppression opposition: the meaning of the Londoner hijabista look. In: Greimas Aujourd'hui: l'avenir de la structure. AFS Éditions, Paris, pp. 758-768. ISBN 9791095835011

filefilefile
Reimers, Anne (2018) Against Kunstkonfektion: art and the problem of fashion in 1920s German arts criticism. In: Signs and symbols: dress at the intersection between image and realia. de Gruyter, Berlin, pp. 245-267. ISBN 9783110515909

filefilefilefilefilefilefilefilefilefilefile

filefilefile
Dee, Jason (2018) Black Narcissus Crystal Clear. In: Extending the Glass Chain. University of Edinburgh, Edinburgh, pp. 58-65. ISBN 9781904443803 Item availability restricted.

filefilefilefilefilefilefilefile

filefilefilefilefile

file
Jardim, Marilia (2018) The corset and the hijab: enunciation, intersubjectivity, and dress. In: 4o CIMODE. Congreso Internacional de Moda Y Diseño. Centro de Ciência e Tecnologia Têxtil Universidade do Minho, Portugal, pp. 32-39. ISBN 9789895416806

file
Knight, Adam and Bogner, Simone (2018) Stadtbild HRO. [Architecture, Photography] Item availability restricted.

file
Sampson, Ellen (2018) Entanglement, affect and experience: walking and wearing (shoes) as experimental research methodology. International Journal of Fashion Studies, 5 (1). pp. 55-76. Item availability restricted.

filefilefilefilefilefilefile
Goldsmith, Shelly (2018) Looking beyond the warp and weft: unpicking latent narratives in clothing. Textile: cloth and culture, 16 (3). pp. 320-332. ISSN 1475-9756 (Print); 1751-8350 (Online)

file
Millar, Lesley (2018) Introduction: the matter of material. Textile: cloth and culture, 16 (3). pp. 254-258. ISSN 1475-9756 (Print); 1751-8350 (Online)

file
Ayling-Smith, Beverly (2018) The bedsheet: from linen cupboard to art gallery. Textile: cloth and culture, 16 (3). pp. 287-300. ISSN 1475-9756 (Print); 1751-8350 (Online)

file
Knight, Adam (2018) Los/ Loss/ Lost. Journal of Writing in Creative Practice, 10 (2). pp. 263-269. ISSN 1753-5190 (Print) 1753-5204 (Online) Item availability restricted.

filefilefilefilefilefilefile

filefile
Millar, Lesley and Kettle, Alice (2018) The erotic cloth: seduction and fetishism in textiles. Bloomsbury Academic, London. ISBN 9781474286800 Item availability restricted.

file

filefilefilefile

Reimers, Anne (2018) Entries. In: The fifth BMW art guide by independent collectors. Hatje Cantz, Berlin. ISBN 9783775744744

filefilefilefilefilefilefilefilefilefilefilefilefile

filefilefilefilefilefilefilefilefile
Bennett, Evelyn and Rutter, Christopher and Waterworth, Rebecca (2017) Light Dial Part 2. In: Digital Materials Developments in Printed Textiles, 27 October 2017, UCA Rochester, UK. (Unpublished)

filefilefilefilefilefilefile

filefilefile

file
Jardim, Marilia (2017) Entre Carros e rios: uma reflexão sobre a mobilidade na metrópole. In: São Paulo e Roma. Práticas de vida e sentido. Centro de Pesquisas Sociossemióticas, Cia. das Letras e Cores, São Paulo, pp. 373-391. ISBN 9788568552537 Item availability restricted.

file
Jardim, Marilia (2017) Sao Paolo, tra automobili e fiumi: riflessioni sula mobilità nella metropoli. In: San Paolo in divenire tra identità, conflitti e riscritture. Edizioni Nuova Cultura, Rome. ISBN 9788868128272 Item availability restricted.

file
Janes, Dominic (2017) Early twentieth-century Vogue, George Wolfe Plank and the "Freaks of Mayfair". Visual Culture in Britain, 18 (1). pp. 68-83. ISSN 1471-4787 (Print); 1941-8361 (Online)

filefilefilefilefilefilefilefilefilefilefile

file
Jardim, Marilia (2017) Homage to De L'imperfection: The esthesis of the veil. In: Colóquio Internacional Greimas – Desenvolvimentos, apropriações e desdobramentos para uma semiótica das práticas, 14 - 17 March 2017, Pontifícia Universidade Católica de São Paulo, Brazil.

Millar, Lesley (2017) Discourses on the re-configuration of craft. In: Craft History, Craft & Architecture, Craft & Text, Craft & Space, 18 March 2016, 23 November 2017, 5 July 2018, 22 November 2018, UCA Farnham + Building Centre London. (Unpublished)

filefilefilefilefilefile

Knight, Adam (2017) Surface plates. The Arrow Maker (2). pp. 64-68. ISSN 2055-2211

Reimers, Anne (2017) Buy art, support an artist: how to create a sustainable collection. In: Creating a sustainable collection, 15 February 2017, Somerset House, London, UK. (Unpublished)

filefile

file
Knight, Adam (2017) Monuments of the GDR. M Books, Weimar, Germany. (In Press)

file
Fischer, Anette and Gobin, Kiran (2017) Construction for fashion design. Basics Fashion Design . Bloomsbury, London. ISBN 9781472538758

filefilefilefilefilefilefilefile

filefile

filefilefilefilefilefilefilefilefilefilefilefilefilefilefilefilefilefilefilefilefilefile

filefilefilefilefilefile

filefile

filefilefilefilefile

file

filefile
Thompson, Edward (2016) The unseen: an atlas of infrared plates. Schilt Publishing, Amsterdam. ISBN 9789053308639 Item availability restricted.

file
Badger, Ian and Dixon-Smith, Steven and Chick, Lucy (2016) Bridging a gap with a window: using screencasts to clarify assessment criteria. In: Academic Practice and Technology (APT) Conference, 5 July 2016, The University of Greenwich. (Unpublished)

file

Reimers, Anne (2016) Modeallüre oder Zeittendenz? Zeitlichkeit, Modebegriffe und die Grenzen der Kunstgeschichte in der Kunstkritik der Weimarer Republik. In: Herausgefordert von der Gegenwart: Fragen der kunstkritischen Praxis gestern und heute, 1 July 2016, Art History Department, University of Bochum, Germany. (Unpublished)

file
Jardim, Marilia (2016) Humility and identity: first impressions of the hijab presence in London. In: CIMODE 2016: 3º Congresso Internacional de Moda e Design: proceedings. Escola de Engenharia Universidade do Minho, Guimarães, Portugal, pp. 996-1004. ISBN 9789728692933

filefilefilefile

filefilefile

filefile

Reimers, Anne (2016) Temporality, style and the vocabulary of fashion in 1920s German arts criticism. In: Signs and symbols: dress at the intersection between image and realia, 18 - 21 February 2016, Humboldt University, Berlin, Germany. (Unpublished)

file
Cope, Jon and Maloney, Dennis (2016) Fashion promotion in practice. Bloomsbury. ISBN 9781472568922

file
Janes, Dominic (2016) Oscar Wilde Prefigured: Queer Fashioning and British Caricature, 1750-1900. Other. University of Chicago Press, Chicago, USA. Item availability restricted.

filefilefilefilefilefilefilefilefilefile

filefilefilefilefilefile

filefile

file
Janes, Dominic (2015) Cecil Beaton, Richard Hamilton and the queer, transatlantic origins of pop art. Visual Culture in Britain, 16 (3). pp. 308-330. ISSN 1471-4787 (Print); 1941-8361 (Online)

file

filefilefilefilefilefilefile

filefilefilefilefilefilefilefile

file

Reimers, Anne (2015) On aesthetic pleasure: the problem of 'fashion' in 1920s German art journals. In: Association of Art Historians (AAH) Summer Symposium 2015: Fashion & Art History, 29-30 June 2015, University of York, UK. (Unpublished)

filefilefilefilefilefilefilefilefilefilefilefilefilefilefilefilefilefilefilefilefilefilefilefilefilefilefilefilefilefilefile

Reimers, Anne (2015) Dance, drugs and vampiric people: Anita Berber and Otto Dix, Berlin 1925. In: Disseminating Dress: Britain and the Fashion World, 28-30 May 2015, University of York, UK. (Unpublished)

filefilefilefilefilefilefilefile

filefilefilefile

file
Fischer, Anette (2015) Sewing for fashion designers. Laurence King Publishing, London. ISBN 9781780672304

file

file

file

filefilefile
Knight, Adam (2015) Memorial Hall. In: Why Would I Lie? ArtQuarters Press, London, pp. 91-97. ISBN 9781910642054

filefilefile

filefilefilefilefile

filefilefilefilefilefilefilefilefile

file

file

file
Janes, Dominic (2015) Picturing the Closet: Male Secrecy and Homosexual Visibility in Britain. Other. Oxford University Press, New York. Item availability restricted.

file
Janes, Dominic (2015) Visions of Queer Martyrdom from John Henry Newman to Derek Jarman. Other. University of Chicago Press, Chicago, USA. Item availability restricted.

file
Reimers, Anne (2014) From fashion icon to incarnation of the abject: Anita Berber and Otto Dix. In: Vile women: female evil in fact, fiction and mythology. At the Interface, 1 . Inter-Disciplinary Press, Oxford, pp. 2-20. ISBN 9781848882881

filefile
Lloyd, Sarah and Stacey, Sarah (2014) Woody Allen: 'style guru'? costuming the middle classes, anti-fashion as aspirational fashion in 'Vicky Cristina Barcelona' and 'Midnight in Paris'. Film, Fashion and Consumption, 3 (3). pp. 227-240. ISSN 2044-2823 (Print) 2044-2831 (Online) Item availability restricted.

file
Jardim, Marilia (2014) O Parque é na Rua: A (in)visibilidade da ocupação do Parque Augusta. In: Do sensível ao inteligível. Duas décadas de construção do sentido. Estação das Letras e Cores, São Paulo, pp. 717-751. ISBN 9788568552056

filefile

Goldsmith, Shelly (2014) Fibre, thread and textile. In: Tate courses and workshops, 25-26 October 2014, Tate Modern, London. (Unpublished)

filefilefilefilefile

filefilefilefilefilefile

filefilefilefilefile

Millar, Lesley (2014) The Re(a)d thread. In: Outside: activating cloth to enhance the way we live. Cambridge Scholars Publishing, pp. 33-43. ISBN 9781443856959

filefilefilefilefilefilefilefilefilefilefilefile

filefilefilefile

filefilefilefile

file

filefilefilefilefilefile

filefilefile
Tannant, Maria and McKie, Annamarie and Wright, Sheelagh (2014) A place of my own: reflective, formative spaces for learning teaching and assessment. In: GLAD Conference 2014, 27 Feb 2014, Sheffield Hallam University. (Unpublished)

file

filefilefilefile

filefilefilefilefilefilefile

Bottle, Neil and Goldsmith, Shelly (2013) How to teach digital. In: Digital Encounters Symposium: Transformative Practice, 11 December 2013, UCA Canterbury. (Unpublished)

Millar, Lesley (2013) Surface as practice. In: Surface tensions: surface, finish and the meaning of objects. Studies in design . Manchester University Press, Manchester. ISBN 9780719087516

filefilefilefilefilefilefilefile

file

Parker, Theresa (2013) Using both sides of the line: zero waste practices. In: 'Evolving Experiences' Annual Learning and Teaching Conference, 12 July 2013, Centre for Learning and Teaching, Brighton University, UK. (Unpublished)

Francis, Patricia (2013) Buttonory (who remembers Jackanory?). Journal of Writing in Creative Practice, 6 (2). pp. 277-291. ISSN 1753-5190 (Print) 1753-5204 (Online)

filefilefilefilefilefilefilefilefile

Reimers, Anne (2013) From fashion icon to priestess of depravity: the dancer Anita Berber in 1920s Berlin. In: Evil Women and the Feminine, May 2013, Prague. (Unpublished)

filefilefilefilefilefilefilefilefilefilefilefilefile

Parker, Theresa (2013) Using both sides of the line. In: The Creative Cut: The First International Symposium for Creative Pattern Cutting, 6-7 February 2013, University of Huddersfield, UK. (Unpublished)

file

file

filefilefilefile

filefile

filefilefilefile

filefilefilefile

file

filefilefile

file
Knight, Adam (2013) Amateur/Failure. In: PROSPECTUS. ARTSCHOOL/UK Press, London, pp. 94-101. ISBN 9781782800309

Dee, Jason (2013) Celluloid's digital other. In: AVANCA | CINEMA 2013 – International Conference Cinema - Art, Technology, Communication, 2013, Portugal.

Francis, Patricia (2012) Making the workshop work: a dialogue between Alke Gröppel-Wegener and Pat Francis. Journal of Writing in Creative Practice, 5 (2). pp. 291-300. ISSN 1753-5190 (Print) 1753-5204 (Online)

Millar, Lesley (2012) Transparent boundaries colloquium. In: Transparent Boundaries Colloquium, 26 Oct 2012, Farnham, Surrey, UK. (Unpublished)

filefilefilefile

file
Millar, Lesley and Silver, Maggie and Ayling-Smith, Beverly and Quarini, Carol and White, Bob (2012) Cloth & memory. Direct Design Books, Tunbridge Wells. ISBN 9780957124226

file

Goldsmith, Shelly (2012) Lecture. In: Pairings II conversations & collaborations symposium, 5 May 2012, Stroud College. (Unpublished)

filefile

filefilefilefilefile

Ward, Denise and Ives, Donna (2012) Fashion placements - optional. In: UCA Teaching & Learning Conference, 25 January 2012, British Library, London. (Unpublished)

Ward, Denise and Ives, Donna (2012) Fashion placements - optional. In: Blackboard Teaching & Learning Conference 2012, 23-25 April 2012, Antwerp. (Unpublished)

file

file

Millar, Lesley (2011) Lost in lace: new approaches by UK and international artists. Birmingham Museums and Art Gallery, Birmingham, UK. ISBN 9780957049406

Reimers, Anne (2011) Cool glamour: fashion and identity in Christian Schad's portrait "Sonja" (1928). In: Fashion: Exploring Critical Issues: 3rd Global Conference, 22-25 September 2011, Mansfield College, Oxford University, Oxford, UK. (Unpublished)

filefile

Millar, Lesley (2011) Bite-size: miniature textiles from Japan and the UK. University for the Creative Arts, Farnham, UK. ISBN 9780956416094

Millar, Lesley (2011) Lost in lace transparent boundaries. Birmingham Museum and Art Gallery, Birmingham. ISBN 078-0-9570494-0-6

filefilefilefilefile

file
Bottle, Neil and Prichard, Sue (2010) Neil Bottle exhibition catalogue. Other. The Ruthin Craft Centre, Denbighshire, UK.

file

filefile

filefilefilefile

file

Francis, Patricia (2009) Inspiring writing in art and design. Intellect, Bristol. ISBN 9781841502564

file

Millar, Lesley (2009) Cultex: textile as a cross cultural language. Print House AS, Oslo. ISBN 9788230312148

filefilefilefile

filefilefilefile

Reimers, Anne and Garrett, Leigh (2009) Piloting Turnitin as a plagiarism detection tool for BA (Hons) dissertations. In: UCA Learning and Teaching Conference, January 2009, British Library, London. (Unpublished)

filefilefilefile
Bottle, Neil (2008) Optical series. [Textiles] Item availability restricted.

filefilefilefile

file

Goldsmith, Shelly (2008) Lecture. In: Enfolded Meanings, 2008, National Gallery, London. (Unpublished)

Reimers, Anne (2008) The 1st year curriculum: enhancing motivation and retention of creative arts students in the contextual studies unit. In: Enhancing curricula: using research and enquiry to inform student learning in the disciplines. Centre for Learning and Learning in Art and Design (CLTAD), New York/London, pp. 63-77. ISBN 9780956038203

Millar, Lesley (2007) Cloth & culture now. University College for the Creative Arts, Farnham, UK. ISBN 9780955116629

Goldsmith, Shelly (2007) Book review: Tilleke Schwarz: Mark Making. Crafts (207). pp. 70-71. ISSN 0306-610X

Schoeser, Mary and Bottle, Neil (2007) Work by Neil Bottle. In: Silk. Yale University Press, London, UK. ISBN 9780300117417

file
Vacher, Jean and Brassington, Linda and Roscoe, Barley and Woodhead, Kate and Olding, Simon (2006) Muriel Rose: a modern crafts legacy. Crafts Study Centre, Farnham. ISBN 9780955437403

filefile

Goldsmith, Shelly (2005) Invited speaker. In: Fabriconversations Textile Symposium, 28 October 2005, Nottingham Trent University. (Unpublished)

Goldsmith, Shelly (2005) Lecture. In: At the Edge: Extending Textile Boundaries, 2005, Somerset College of Art and Design, Taunton. (Unpublished)

Millar, Lesley (2004) Crafts, design, artisan and art: a short introduction to studio textile practice since 1970. In: Crafts Study Centre: essays for the opening. Canterton Books, Brook, UK, pp. 41-55. ISBN 0954162749

Millar, Lesley (2004) Through the surface : collaborating textile artists from Britain and Japan. The Surrey Institute of Art and Design University College, Farnham, UK. ISBN 0954628527

Millar, Lesley and Uchiyama, Takeo and Tanaka, Chiyoko (2002) Chiyoko Tanaka. Portfolio Collection, 12 . Telos Art Publishing, Winchester, UK. ISBN 9781902015248

Millar, Lesley (2001) Textural space: contemporary Japanese textile art. Surrey Institute of Art and Design University College, Farnham, UK. ISBN 1899817069

Reimers, Anne (2001) Ein Holzschnitt von Herzog Phillip dem Guten von Burgund in der Cronycke van Hollandt Zeelandt ende Vrieslandt, Leiden 1517. In: Genie ohne Namen: der Meister des Bartholomäus-Altars / Genius without a Name: The Master of the Bartholomew-Altarpiece. Dumont, Cologne, pp. 366-367. ISBN 9783770152995

filefilefilefile

filefilefilefilefilefilefile

file

filefilefilefile

This list was generated on Thu Nov 21 12:49:06 2024 UTC.